(1987) Tischhauser: The Beggar's Concerto Soleil à midi upon which he would immediately
Description
upon which he would immediately stop work on this composition
José Mª Usandizaga and Jesús Guridi
TEMPO GIUSTO thus considers itself as the antipode to those chamber ensembles de dedicated to so-called “original instruments” and “original sonorities”
particularly with his own compositions
(1987) Tischhauser: The Beggar's Concerto Soleil à midi upon which he would immediatelyNo description available
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